Babylon is his fifth film with director Damien Chazelle. Hurwitz is a two-time Oscar winner, for best original score and song for La La Land. It is one of my film music closest to Hauschka, in the sense that I was allowed to experiment. When you were nominated, you released a statement thanking director Edward Berger for the creative freedom he gave you. In November, I will go on tour and play the big cities in Europe and maybe small American and Japanese tours. Is it a woman or a man or a band? So reserve that for my artistic work and do my film work under my own name.Īs Hauschka, you have released 20 albums or EPs of electronic music. I found out that a lot of people were a little bit confused because they didn’t know what Hauschka is. What led you to change from crediting yourself as Hauschka to using your own name? Like that film, All Quiet on the Western Front is a best picture nominee. He went by Hauschka when he was nominated alongside Dustin O’Halloran six years ago for scoring Lion. This is the German composer’s second Oscar nod, but his first on his own and his first under his own name. Impressively, Williams has been nominated in each of the last seven decades, from the 1960s to the 2020s. This year’s nominees for best original score range from John Williams, who receives his record-extending 48th nomination in the category for The Fabelmans, to Son Lux, which receives its first for Everything Everywhere All at Once. We’ve been working together since we were students at, and there’s something magical about that, how it still feels the same. Why do you and Coogler work so well together? You’re all like a big family that lost someone, and sitting there in the very, very end of it when you’ve been going through so much together, it was a very cathartic experience. It was unlike anything else I’ve ever worked on. What was the energy like when you all watched the final cut of that scene? You see all these flashbacks, all these memories, and then you interrupt that a song honoring Chadwick and, T’Challa. You can see what a great filmmaker Ryan is because in the scene right before you hear the song, it’s absolute silence. Ludwig Göransson: When you hear her voice and the lyrics, that’s the point where you finally take it all in.
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